xintiandi is located in the center of shanghai. (xintiandi. shanghai) is acity tourist attraction that shows the historical and cultural features ofshanghai. it is a recreational pedestrian street with food, commerce,entertainment and culture based on the unique old building of shikumen inshanghai. based on the integration of the west and the east and the combinationof the old and the new, the traditional shikumen lane in shanghai is integratedwith the new buildings full of modern feeling.
outside the door is a charming variety of stone kumen alleyway, the door isa completely modern way of life, one step away, as if separated from the world,really through the sense of time and space! and the colorful streetperformances, new fashions of fashion activities, bring the dynamic fashion ofmodern fashion for the new world, become the leader of the modern ai xintiandi rewrote the history of shikumen, and injected new vitalityinto the shikumen, which has already moved to historical relics.
xintiandi has become the new landmark of shanghai, and it is the best placeto appreciate shanghai's history, culture and modern life form. covering an areaof 30000 square meters and a construction area of 60000 square meters, theshikumen complex retains the brick walls and roof tiles of that year. visitorsseem to enter the time tunnel and return to the 1920s. but inside everybuilding, tailored to the lifestyle, rhythm and emotional world of modernurbanites in twenty-first century, they become international galleries,boutiques, theme restaurants and coffee bars. the..0 distance covers all theattractions of shanghai the bund, shanghai xintiandi, shanghai forest park andso on.
at the beginning of the 21st century, shikumen lane in shanghai is still aconcentrated expression of dilapidated, crowded and poor living conditions inthe minds of many young people. fortunately, even so, there are still a group ofnostalgic literary masters who make architectural culture complex, so that manypeople find the beauty hidden behind it.
in shanghai xintiandi shanghai language, it is called "hoop" such as hoop,wrapped or wrapped by one thing, such as a hoop, so the building of the stonehoop gate is called "stone hoop gate" and then it is falsely called "shikumen".it is generally believed that the main gate of this kind of building is made ofstone with solid thick wood and a copper ring. compared with traditional chinesehouses, it tends to be conservative. shikumen residence in shanghai rose in the1860s. in 1860, the taiping army headed by li xiucheng, a loyal king, launchedan eastward movement to conquer zhenjiang, changzhou, wuxi, suzhou, ningbo andother cities in southern jiangsu and northern zhejiang, forcing tens ofthousands of refugees from southern jiangsu and northern zhejiang to seek refugein shanghai concession. in order to accept the refugees, the concessionmobilized businessmen to invest in housing construction. in order to make fulluse of the land, most of these houses were built as row connected shikumen lanehouses. in order to cater to the traditional chinese family living style,shikumen not only imitates the western style houses, but also imitates thecommon houses in the south of the yangtze river. after entering the door, thereis a patio. behind the patio is the living room (called "guest hall" byshanghainese). then there is the back patio. after the day after tomorrow, thereis the kitchen and the back door.
on both sides of the patio and the guest hall are the left and right wingrooms. the layout of the second floor is basically similar to that of the groundfloor, except that the upper part of the kitchen is the "pavilion", and theupper part is the sun terrace. its representative buildings include xingrenli,which covers an area of 1.33 hectares, on the east side of henan middle road,between ningbo road and beijing road, and dunrenli, mianyangli, jixiang li,etc., on xintoujie street, zhongshan south road. after the beginning of thiscentury, with the change of shanghai residents' family structure to small familystructure, the living habits of residents have also changed significantly. thestructure and style of shikumen residence have changed. there are "singleentrance" (no wing room) and "two entrances" (one passenger hall and one wingroom) suitable for small families. it has a large scale, the lane is about 4meters wide, and the floors are mainly 2-3 floors; pavilions are set at thestair platform, and balconies are used in the facade; 20__ after the s, sanitaryequipment was generally installed. its representative buildings include jing'anvilla on nanjing west road and new mainland village on shanyin road. after the1930s, due to the shortage of housing in shanghai, some residents rented outtheir spare rooms to others, so most of the shikumen changed their originaldesign intention and became a multi family house.
the shikumen residence, which is from childish to mature, constitutes alane community with private space and public space interlaced. in thiscommunity, while enjoying personal space, it is easier for residents tocultivate a more harmonious and intimate neighborhood relationship. as a result,we all know exactly what we cook and what's going on in that family. with theincrease of residential density, residents gradually move their familyactivities to the public space in the lane, which further strengthens theoriginal neighborhood intimacy. in the meantime, there are more and morefrictions, whether between young people or between young people and old frictions and quarrels are just about "you use more of my gas", "youinvade my territory" and so on.
shanghai xintiandi shikumen lane has more than 9000 places at most,accounting for more than 60% of the total residential area in shanghai. simplyfrom the perspective of architecture, shikumen is the product of a specifichistorical period, which has a history of more than 100 years. moreover, thespatial structure of some shikumen is not suitable for the living concept ofmodern people, so it is normal for them to disappear. in the early 1990s,shanghai began large-scale reconstruction and development. many old houses inshikumen have been demolished and replaced by high-rise buildings one by by one, old houses full of nostalgia are gradually disappearing. only thendo people realize that they want to preserve these unique "artworks" inshanghai.
shanghai xintiandi rewrote the history of shikumen, and injected newvitality into the shikumen, which has already moved to historical g in the new world is like returning time to the past. the green brickwalk, the red and green brick walls, the thick black paint gate and the lintelcarved with baroque style swirling mountain flowers make tourists feel like theyare in shanghai in the 1920s and 1930s. however, stepping into the interior ofeach building is very modern and fashionable. the original partition walls ofevery house have been completely opened, presenting a spacious space. thecentral air conditioning is like spring all the year round. the european stylefireplace and sofa are adjacent to the eight immortals table and taishi chair inthe east. the bar and coffee room are in harmony with the teahouse and chineserestaurant. the modern oil painting and the vertical old phonograph on the wallare quietly pouring out the owner's cultural taste. outside the door is theshikumen alley with all kinds of customs. inside the door is a completely modernway of life. in this way, one step away, it feels like a world away. it reallyfeels like crossing time and space.
新天地位于上海市中心，(xintiandi·shanghai)是一个展现上海历史文化风貌的都市旅游景点，它是以上海独特的石库门建筑旧区为基础改造成的集餐饮、商业、娱乐、文化的休闲步行街。以中西融合、新旧结合为基调，将上海传统的石库门里弄与充满现代感的新建筑融为一体。
门外是风情万种的石库门弄堂，门里是完全的现代化生活方式，一步之遥，恍若隔世，真有穿越时空之感!而精彩纷呈的街头表演、新意迭出的时尚活动，为新天地带来富有动感的现代时尚风采，成为现代潮流的领导者。上海新天地改写了石库门的历史，对本已走向历史文物的石库门注入了新的生命力。
新天地已经成为了上海的新地标，是领略上海历史文化和现代生活形态的最佳场所。这片占地三万平方米，建筑面积六万平方米的石库门建筑群保留了当年的砖墙、屋瓦，游人仿佛进入时光隧道，回到二十世纪二十年代。但是，每座建筑内部，则按照二十一世纪现代都市人的生活方式、生活节奏、情感世界度身定做，成为国际画廊、时装店、主题餐馆、咖啡酒吧.....0距离涵盖上海外滩，上海新天地，上海森林公园等各个景点行程大全。
21世纪初，上海的石库门里弄在许多年轻人的思想上依旧是破旧、拥挤、恶劣居住条件的集中表现。幸运的是即使这样，还是有一批怀旧里弄建筑文化情结的文学大师让众多的人们发现了隐藏在其背后的美。
上海新天地沪语中把用一种东西包套或收束另外的东西讲作“箍”，如箍桶，于是这种用石条“箍”门的建筑被叫作“石箍门”后又讹作“石库门”。一般认为，这种建筑的正大门以条石作门框，门扇为实心厚木，上有铜环一幅，与中国的传统民宅相比，趋向保守。上海的石库门住宅兴起于19世纪60年代。1860年以忠王李秀成为首的太平军发动东进，攻克镇江、常州、无锡、苏州、宁波等苏南浙北城市，迫使数以万计的苏南、浙北难民进入上海租界避难。租界为接纳难民，动员商人投资住宅建设为了充分利用土地，这些住宅大都被建为排联式的石库门里弄住宅。为了迎合中国传统的家族居住形式，石库门除部分设计摹仿西洋排联式住宅外，其布局大致仿江南普通民居。进门后为一天井，天井后面为客厅(上海人叫“客堂”)，之后又是后天井，后天井后为灶间和后门。
天井和客堂的两侧分别为左右厢房，二楼的布局基本与底层相近，唯灶间的上面为“亭子间”，再上面是晒台。其代表建筑有河南中路东侧，宁波路、北京路之间占地1.33公顷的兴仁里，还有中山南路新码头街的敦仁里、棉阳里、吉祥里等。本世纪初以后，随着上海居民的家庭向小家庭结构变化，居民的生活习惯也发生明显变化，石库门住宅的结构和样式发生变化，有适宜小型家庭居住的“单进”(即无厢房)、“两进”(一客堂一厢房)。其规模较大，弄堂宽约为4米、楼层主要为2～3层;在楼梯平台处设亭子间，立面采用阳台;20xx年代后，一般都安装了卫生设备。其代表建筑有南京西路上的静安别墅、山阴路上的**新村等。30年代以后，由于上海住房紧张，部分住户又将多余的房间出租给他人，所以大多数石库门改变了设计的初衷，成为多户同住一门的住宅。
由幼稚走向成熟的石库门住宅构成了私密空间与公共空间交错的里弄社区。在这个社区内，居民在享受个人空间的同时，也更容易培养出更融洽更亲密的邻里关系。于是这家烧什么菜，那家有啥事，都知道得一清二楚。随着居住密度的不断增强，居民便逐渐把本属家庭内的活动移师到了弄内的公共空间进行，更加固了原有的邻里亲密度。而在此之间，摩擦也越来越多，无论是青年之间，还是青年与老年之间，而这些摩擦争吵为的却只是“你多用了我的煤气”，“你侵入了我的地盘”等等诸如此类的问题。
上海新天地石库门里弄在最多的时候有9000多处，曾占上海市区全部住宅面积的六成以上。单纯从建筑的角度出发，石库门是特定历史时期的产物，走过百多年的历史，而且有些石库门的空间结构也已不适合现代人的居住观念，因此消失是正常的。90年代初期，上海开始了大型的重建和开发。不少石库门老房子被拆卸，取而代之的是一幢一幢的高楼，一片又一片充满怀旧风情的老房子渐渐消失，人们才意识到要去保留这些上海独有的“艺术品”。
上海新天地改写了石库门的历史，对本已走向历史文物的石库门注入了新的生命力。漫步新天地，仿佛时光倒流，重回当年。那青砖步行道，那红青相间的清水砖墙，那厚重的乌漆大门以及那雕着巴洛克风格卷涡状山花的门楣，使得观光客仿佛置身于二十世纪二、三十年代的上海。然而一步跨进每个建筑内部，则又是非常现代和时尚。原先的一户户隔墙被全部打通，呈现宽敞的空间，四季如春的中央空调，欧式的壁炉、沙发与东方的八仙桌、太师椅相邻而处，酒吧、咖啡室与茶座、中餐厅和谐搭配，墙上的现代油画和立式老唱机悄声倾诉着主人的文化品味。门外是风情万种的石库门弄堂，门里是完全的现代化生活方式，就这样，一步之遥，恍若隔世，真有穿越时空之感。[3]
out of curiosity and desire for the unknown, with a trace of expectation, atrace of tension and a trace of loss, i came to this city called "shanghai".
it was early in the morning when i first arrived in shanghai. don't forget,shanghai is also called "never night city". although the sky is gray, but thecolorful lights on the street are flashing my eyes. walking on the bund, you cansee all kinds of european buildings and groups of foreigners coming and h the glass, you can see the bright lights and the twisting posture in theluxurious dress. this is probably the nightclub in shanghai. how many rich butlonely people are living a life of intoxication here? they just want to seek atrace of warmth in this cold city.
the night of the huangpu river fascinated me, standing on the breeze gently blowing my hair. the lujiazui portrait centered on theoriental pearl was displayed in front of my eyes. beautiful, very beautiful,very beautiful, so suffocating, so beautiful that people feel unreal, sobeautiful that people can't help but sigh "can only be seen from a distance, butcan't play.".
in the early morning, people can see shanghai clearly and g on nanjing road and shuttling through the people's square, i see antiquebuildings and groups of people in a hurry. as if, in this fast-paced city, notto rush will be eliminated, abandoned, forgotten.
coming to the new world is full of the republic of china. on this famous"republic street". i seem to have seen zhang ailing, who is "merciful becauseshe knows", lin huiyin, who is "love, warmth, april day in the world", and xiaohong, who is "too late to do anything, just sit and watch the red sky" and so onlittle by little of the republic of china appeared in front of my eyes. i don'tknow why, when i saw these traces of history, i was moved to tears.
in my opinion, shanghai, known as "oriental paris", is a proper and goodcity integrating modern and traditional. whether the bright lujiazui, themagnificent people's square or the red wall green tile town god's temple, knownto the world, all the shanghai road has added a touch of vitality, a touch ofbeauty and a touch of moving.
when i say goodbye to shanghai, i look at the endless stream of people andthe magnificent high-rise buildings. i can't help but sigh that zhuzhou is soordinary! but i think i still love that ordinary zhuzhou more than theglittering of shanghai. there is no bright light shining, no dense trafficshuttle, but there is warmth, and the person who has always accompanied me.